Sunday, January 5, 2020

Statues and Sculpture An Art Form that Depicts Human History

Art Stands Tall for Human Values In 2008 a group of archaeologist unearthed what could now be the world’s oldest statue. This larger than life statuette stands at whopping 2  ½ inches tall with an estimated carving date from 35,000 to 40,000 years ago from a mammoth tusk. The form of the statuette is that of female figure missing her head and feet with a primary focus on reproductive organs. Due to the pornographic nature of the statue archaeologist believe that the statue’s purpose and function is to represent longevity and fertility. No matter if you believe man crawled from primordial ooze or if a being of higher authority created man, humans have continued to express emotion, experiences and values through the artistic expression†¦show more content†¦Starting in 1870, artist August Bartholdi made a trip to the United States to search out a place to erect the statue and begin the initial design. The form of the statue is actually created from two sepa rate forms. The first form used to create the statue is that of a neoclassical sculpture of the Roman goddess Libertas who represented freedom and democracy. The second form used in the statue is that of the fictional female character, Columbia who many at the time believe carried the embodiment of America. The main function of the statue is to represent individual liberty and freedom from slavery. Liberty has always been a highly held value in the United States so it would be important that the function of this statue represented that value. The statue’s function of freedom and liberty is carried throughout the sculpture. You will find the date of the independence placed upon the tablet she carries. At her feet lay broken shackles from slavery. Upon her crown are seven rays that represent freedom to all the seven continent’s citizens who come to this country seeking freedom. Her right arm is raised in the air above her head carrying a torch that light’s t he way to that freedom. 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